Through this blog we review plays happening in Delhi NCR and provide information on plays happening in town. If you have seen a plat lately and would like to share what you feel about it, please feel free to share it we us and we will publish it with due acknowledgement.
Proserpine Garnett played by Lovelinna Sharma The Reverend James Mavor Morell played by Sarthak Mattoo The Reverend Alexander (Lexy) Mill played by Nihaal Parashar Mr Burgess played by Adhiraja Candida
played by Shivani Nagar, Eugene Marchbanks played by Shivam Khanna
Written by the Irish Playwright George Bernard Shaw (Also the
Co-founder of London School of Economics), the story involves Candida, wife of
a Clergyman (Reverend James). Candida (falls in love with
a youthful poet, Eugene March banks, who try to win Candida. The story gets complicated when Candida has
to choose between her husband and the Poet. The play questions Love, marriage,
desires and the sacrifices a women makes. The script is crisp and has the
flavor of Bernard’s writing rich with sarcastic humor on society, people
behavior, relationships. There has been numerous adaptation of the play
worldwide, attaining the claim of ‘Romantic-Comedy’ or Rom-coms
But what happens when a Indian Actors try to do a Classic
English play (with Indian Accent) set in Early 1980. Yes you got it right utter
Lesser known Curtain Call Productions performed this Play in Delhi In Alliance
Francaise In July 2013).
The director of the play took the script as-is from Bernard
Shaw writing. There are a number of instances James makes his socialist remarks
about the state of affairs (which unfortunately go over the head for most
Non-Economic People unrelated to the economic scenario of 1890 British Era).
There is an intense scene between the poet Eugene and James where the poet
confesses his love for his wife. The overall plot when portrayed looks similar
to a Bollywood masala having a love triangle.
The actors transition from a perfect brit to Indian accent which looks ridiculous.
Candida played by Shivani Nagar was the saving grace as she
kept her character throughout the play. The others were too fast in their delivery of
dialogues and wanted to leave the stage.Overall the play was average, with the humor element
scattered in bits.
We will try to bring updates about Theatre Festivals which allow theatre lovers to relish several plays in succession.
'Theatre in Motion' is a unique festival which is happening simultaneously in three cities: Delhi, Mumbai and Kolkata. It also brings together several theatre groups such as Asmita, Pierrott's Troupe, Primetime Theatre Company and several others. I would call it a multi-cuisine buffet of theatre. I would love to post all that is happening in Theatre in Motion festival but I would just be reproducing what is already available in great details at their website:
This is our first guest review by Rahul Sharma - A theatre lover from Delhi with a cocky sense of humor.
Play: Nothing Like Lear
Written and Directed By: Rajat Kapoor
Based on: Shakespeare's King Lear
Tragedy, Tragedy in a Comedy, Comedy in a Tragedy ... At the end of the
day, content needs to tell a good story. For me at least, this holds
true. Playing with stars is only fruitful when there is a good story to
back them up ... and, I mean, that's how stars are created.
had seen "Noises Off" and "Hamlet - The Clown Prince" by then, and was
extremely excited to be able to watch quality English theater in Delhi.
And, next on the line was "Nothing Like Lear". I said to myself, "Dude, this weekend is awesome. First, Hamlet vala play, and now Vinay pathak in a monologue ... Machauuu". I had seen a few monologues before, including Saleem Sheikh and Lushin Dubey, and was hoping for this one to be of same level.
However, this play turned out to be such a disaster that I wanted my Tyler Durden to beat the shit out of my Edward Norton. I mean by not coming for this play, I could have bought a better section at upcoming Ghulam Ali's performance in Oct.
It was all the same. Something that you always witness on a weekend at Kamani. Flashy cars, absolutely no parking space, "O my gaawd, you are here too (hugs and giggles)" crowd, and yes, on an evening like this, few celebs too.
I entered in the auditorium. Play started, my excitement took a bungee jump ... and never bounced back.
start with, this play has an exceptionally weak script. From the
inception of the play, it was filled with jokes those were a hit the
time when JFK was doing Marilyn Monroe. Had I been in his place and
telling those jokes, people would have arranged a meeting of my
testicles with my tonsils. But on those F-grade jokes, people laughed as
if Nitrous Oxide was in the air. I flexed my zebra neck to take a look around, and realized that for meters and kilometers, only 4 people were still as Katrina Kaif's expressions...me and my friend + 2 guys on our left (who honored the scriptwriter with an invisible middle finger and left after first 15 minutes).
Smartphones were probably invented for times like these. As time crawled (literally), smartphones took over the laughing
herd. Soon, people were talking on phone, watspp-ing their friends,
moving out and buying food ... some would have taken a sutta break too, I am sure.
we laughed twice during the play, and that too when Vinay Pathak did
something impromptu. That said, I do not doubt the actor's skills, I
mean, the way he changes a character was smooth and flawless. And his
delivery of Shakespearean dialogues was hard hitting.
Play ended. I came out of the auditorium and the noise, the praise that I heard in previous two plays was nowhere to be heard.
there will always be people who would not call a bad play a bad play.
Probably they have a fear of being an outcast. I mean, how can a play
with Bollywood stars can be so mediocre..."ya must be outta ya mind kid".
I came out, and bumped in to a fellow from theater in the washroom. The first sentence that came out of his mouth was, "play accha tha na?". I said, "No...horrible script ". These words from my mouth and gates of we-belong-to-quality-theater-world were closed for me.
The guy, with a smirk on his face, took my leave...an expression that said "Vinay Pathak's monologue, Rajat kapoor's direction and he says he dint like it...Loser". And I took a leak, thinking of a girl in the auditorium who developed an incredible firang accent when talking to a firang, and talking normal when turned towards her desi friends ... "she must be a mutant".
Kahani ka Lolipop:
This is not a play that I would recommend to my friends who have a
sense of good theater, solely because of an extremely wannabe script
which wasted an exceptional actor.